The art of comedy
Arts Comedy understood as the ability of the actors to make it look real the fiction of the theater.
Oreste Campese is the actor-manager of a theater company that, following a disaster, is forced to ask a favor to the new prefect, the two held a conversation about theater and its social commitment, but there are strong differences of ideas bring the comedian to threaten to send his prefect instead of strolling players who have had an appointment in the day to show him how the illusion theater can be easily confused with reality itself.
arise, indeed, other guests, but their tragedies are so real that in fact we'll never know if it comes to real people or actors.
representation implemented at Victoria Theatre, has a set design, yet simple, highly respected. One is captivated by the simple but original effects like the cloth that "disappears" under the floor or the wall becomes transparent "to the idea of \u200b\u200bremaining loyal to the effect that Eduardo is not to be served in the theater scene" true "but it is the viewer having to guess at his pleasure.
The skill of the director lies in having created great comic devices in the first act that, despite what one might expect from a first reading of the text is very smooth and fun while in the second act has been fully grasped the idea of \u200b\u200bwanting to show the public "the Art of Comedy" or a summary of what which is the theater playhouse (the doctor), comedy (the priest), tragic theater (the teacher) any role played by each actor with dignity. But before I welcome all other interpreters of the roles of the prefect and his secretary and the director's choice of this duet quite brilliant. The reactions and aiding and abetting (taken to extremes) of these characters 'real' are much more fake and grotesque expressions of the characters "imaginary" strolling players of the port, and then to a consideration made by DIRECTOR: Campese in the prologue:
Theatre truth will always be given the utmost extreme fiction.
Useful
Title The Art of Comedy
Author Eduardo De Filippo
Directed Stefano Messina
Interpreters Stefano Altieri, Renato Scarpa, Carlo Lizzani, Massimiliano Franciosa, Roberto Della Casa, Annalisa Favetti, Riccardo Cascadan, Michael Lella, Ludovic Rosenfeld
Genre Comedy
Where Victoria Theatre (Piazza Santa Maria Liberator, 10. Area: Testaccio)
When until February 15, 2009
rating 7 / 10
Just to accept, post a video taken from youtube:
The prologue recited by Eduardo in a video record of the '64
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