Sunday, December 7, 2008

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Agostino - Rolando Ravello, Massimiliano Bruno

In a subject in school, in front of the teacher and classmates tease him, Lorenzo tells how, during the day of his first communion, his family was thrown away from home in Tor Bella Monaca new tenants from abusive and the father Augustine, going to the police, he discovers that the house was not rented but had simply been regularly occupied by a "band" terribly dishonest cheating the poor family earning each month a rent which, in fact, had no right to have.
Augustine then fight all the way to get his house, before turning to the state and then, receiving no aid, addressing those who go against the mob, but the end is too honest to accept that the henchmen massacrino barrel of poor people and then decide to place a tent and fill the hall.
As in many Italian neighborhoods, this law does not count and applies a real Wild West where people are good and no balls as Augustine does not have an easy life and are destined for the cruel Darwinian law that punishes the weak.

are fifteen characters in this story but only one actor interprets them: an extraordinary Rolando Ravello. How can play so many characters? Changing the voice and posture. It almost seems to see a spectacle of a court jester and, despite being incredibly tragic story because, in part, is really happened (in fact at the time of Augustine reveals the true greetings on stage), the actor manages to make you laugh until to tears with his way of interpreting the characters: the wife is insecure, the master drive, and severe (to die laughing), the daughter who never speaks, the owner of the house but memorable fascist is the grandfather who looks exquisitely vulgar ssi mme de anna asks you to 'sleep in' in car, propane t'attacchi cornice der ar cock.
But the actor, though exceedingly good, is not the only note of the excellent show.
History, in fact, was told by two musicians, storytellers, ubiquitous on stage with beautiful music in the style of Tom Waits played by Alessandro Mannarino (vocals and guitar) and Houman Vaziri (violin).
But last and certainly not least (forgive me the platitudes) is the magnificent writing of the great author of the text Massimiliano Bruno.
memorable phrases that remain in my heart, that moves and make people laugh, who will stay as the punch line when recited by storytellers Augustine has a suitcase in one hand and the other a bouquet of flowers to try to regain his wife is gone: A quest'eroe not give him a medal, but what's underneath ... heart.

An hour and a half show that flies so fast that appears to have increased no more than forty minutes.
I can not believe how stupid I was to wait until the last day to go and see this magnificent text, in this way, not only will I recommend it to anyone, but I do not have even a chance to come back for a second time.

Useful
Title Augustine
Author Massimiliano Bruno
Directed Lorenzo Gioielli
Interpreters Rolando Ravello
Music Alessandro Mannarino (vocals / guitar / toys / percussion), Houman Vaziri (violin and knick-knacks)
Genre Narration
Where Teatro Ambra Jovinelli (via Guglielmo Pepe, 43. Area: Esquilino)
Rated 10/10

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