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pay do not pay

as usual , the plot of a play by Dario For is just an excuse to tell / report a problem of social type.
In this case we speak dell'attualissima economic crisis around the world and, of course, the blame is given to " masters" who, like vampires, sucking the blood of the poor people.

Antonia and John are a married couple. She was fired a year and can not find work, he works in a factory that is likely to close due to bankruptcy. One day
Antonia back from the supermarket with dozens of shopping bags and her friend reveals that there has been a huge sack because of the price but can not tell John that I have all the goods without having paid because would never have approved.
When police and the police begin to search for all homes the area, the problems begin for Antonia.

And 'course, a kind of show of its kind, will be appreciated by an audience mainly of the left (although there are criticisms of the PD), but personally, I would recommend it to anyone because, beyond the message that can be more or less acceptable, the comic situations that are created are really hilarious, typical of the Commedia dell'Arte.
Dario For has always been called a fool and this style is also reflected in the directing and writing, creating characters totally surreal and caricaturist.
Marina Massironi is quite formidable but I must say that I greatly revalued Antonio Catania, rather than an actor, is been making a real modern comic buffoon even more feeble jokes.

director decided apt choice and acceptable (at least by me) has been to make the scene changes to the same actors, with a background music (provided by Dario For), emerging from the fifth to move their characters and the various objects stage and that to interpret the policeman, the policeman, the undertaker, the father of John and the banker at the actor: an extraordinary Sergio Valastro (or at least I think it was because he did not appear on the site of the theater names of the characters close to those of the actors). This
to emphasize on the one hand the lack of money, as if to say the economic crisis we feel we , and second, though, there's a return to the aforementioned Commedia dell'Arte in which the actors themselves today to change scenes and interpret multiple roles by simply changing the mask.

If there's one thing I did not like, it was the final (or rather, the post-final).
actors have stopped acting and started to list all of Italy's problems turning the show into a rally. It was up to me, I closed the curtain first 5 minutes, but, after all, this was to be expected by Dario For.

Information:
Title: Under pay, you do not pay!
Author: Dario For
Directed by: Dario Fo
Performers: Marina Massironi, Antonio Catania, Marina De Juli, Renato Marchetti, and Sergio Valastro
Genre: Comedy / Satirist
Where: Teatro Valle ( Via del Teatro Valle, 21 [Centre strorico])
When: Until October 26
Rating: 8 / 10

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Filumena Marturano

For purely logistical reasons (I was born in '85), I never Eduardo could see the Grand Master on stage this evening but I think his spirit has revived only for as long as the curtain was raised on one of the finest dramas in the history of the theater and was present in the role and voice of his son Luke too weakened by the gossips that repeat with annoying sing-song at the exit of the theater: "Eh , but not as the father .

Domenico Soriano is a gentleman (now very little " -ino") that can be said, from its 52 years, having had everything in life: women, money, fortune.
the same way as all the young gentlemen like him, he went to recreation often with prostitutes Vico San Liborio (a sort of Street Field Fabrizio de André) and, among others, meets Filumena Marturano which falls madly in love and takes her to live with it.
Filumena But it's still a whore and can not be treated with the same dignity as a woman, even though more than one wife, she loves him, cares for him and is close in the most difficult for twenty-five years; Yet Dominic continues his worldly life completely ignoring the sacrifices of Filumena.
Finally, to convince Domenico to marry her, pretends to be dying and expresses, as a last wish, the Sacred Union, but after the blessing of the priest, revealing the deception and masterminding all staged to give a family her three children who had a secret and you do not know who the father is. What
Filumena did not consider is that the law of the World, that of men, what makes you cry (and his laugh) not accept a marriage extorted by fraud, even if for a purpose so noble then fails to take into hand the situation by confessing that Domenico is one of the three but that his son would never say that because have 'to be all three equal .

legrime I think I came out at the end of each act (there are three in all) and the chills I felt in the most important moments of the drama are worth more than any review that came in my mind. There are no words to
express the beauty of folk wisdom and philosophy of the text, in my opinion, the most beautiful ever written in absolute phrases like The children are not paid have nothing to envy to the now proverbial O Rome or Romeo.

From amateur actor, I think, to Filumena Marturano, it is more difficult to interpret the role for an actress and is a little 'for the role that every actress would test their skills and challenge themselves on one side and all the other great actresses who have worn these clothes from May Pupella for the theater in Sofia Loren for the film adaptation (with Marcello Mastroianni). Challenge, Lina Sastri has been able to face to face high, typical of pesonaggio Filumena. Excellent
was also the work of Luca De Filippo, who has been able to customize the character rather than recline in the shadow of his father by showing that it had indeed a great master ... that was not just Edward, but also the anxiety of having to bear a comparison that should not be entitled to be there.
Really cute characters of Alfred and Rosalie that plays down the scene.

One thing I noticed and appreciated was the choice of directing Francesco Rosi to make everything incredibly static against the incredible dynamism of Filumena as to give greater importance to the character.
idea decidedly different from the version "Edwardian" and perhaps even more apt because, especially in times of major monologues, brings our attention exclusively on the protagonist as evidenced by the great love of family and duty to do everything to protect it and why IJF ' so 'IFJ '. It is just

that might (I say "might") be sore for a Roman audience, you must use the Neapolitan dialect, which sometimes tends to make a tricky understanding to the untrained ear 'Neapolitan accent. But it would be impossible (and ugly) Eduardo in the theater of a perfect Italian diction.

Bottom line: you still more than a month's time. Go see what is a masterpiece of Italian theater and the world generally made by a company of actors really good.

Information:
Title: Filumena Marturano
Author: Eduardo De Filippo
Director: Francesco Rosi
Performers: Lina Sastri, De Luca Filippo, Nicola Di Pinto, Antonella Morea, Joseph Rispoli, Joy Miale, Daniel Russo, Antonio D'Avino, Chiara De Crescenzo, Borrini Carmine, Silvia Maino
Genre: Drama
Where: Theatre Argentina ( Largo Argentina, 52 [Centre strorico])
When: Until Nov. 16
Rating: 9 / 10

What Is A Deception Expert

Pazzi leaving Agora theater

Philip and Max (brothers) who married Charles and Lucy (sister) and living in two adjacent apartments.
are ready to leave for the vacation of their dreams but the arrival of Peter, father of the two men who ran away from home and terrible carer, is likely to break off their trip, so young people try to trick George the nerdy neighbor, the father and give him the week off.
The arrival of Margaret, mother of the two sisters and widow of six (or seven?) Husbands, only complicates things.

Giacomozzi Luke is a very young author as a young cast of this show is yet one can not laugh in front of the excellent success of the entire complex. Despite
jokes funny and original text, in fact, is likely to be insignificant or even trivial if it is not made better with the right timing and I recognize the actors in this great ability to interpret and timing.
doors that open when others close, when other people come out, voices that speak when the other weakens, all made at the right time.
It is difficult to establish an actor or actress better than the other, therefore, forgive the banality, but I congratulate the players (without taking anything away from the others) because they have been able to really enjoy themselves on stage making a lot of funny scenes in which Max had to beat Phil.
the game, they have also been able to keep the two girls, perfectly consistent with their characters manic cleaning (talented Claudia) and confusing.

If I were to express their criticism (to look for the hairs), I would not have made the choice to record the voice of Armadillo 21, the driver (but Claudio was to teach?) because, even though it was very hard to hold the laughs in the face of that voice surreal, could not always meet the right times, as would have happened if there had been an actor with a microphone from behind the scenes. .. but, as I said, it's just a stickler.

Conclusion: if you want to laugh, go see it.

Information:
Title: Crazy in
starting Author: Luca Giacomozzi
Directed by: Alberto Santos
Supervision artistic Claudio teach
Performers: Marco Cavallaro, Claudia Ferri, Renzo Pagliaroto, Sara Carallo, Carlo Pavan, Carmen Di Marzo and Antonio Conte ed Elena Croce
Genre: Comedy
Where: Agora Theater ( Way of Penance, 33 [Trastevere])
When: Until October 19
Rating: 7 / 10